the loveART blog


try a little tenderness

There Is Still Time (copyright 2007 Diana Rico)

This gentle sign sat at the entrance to the adobe casita I lived and wrote in at the Helene Wurlitzer Foundation last year. The Wurlitzer is a magical place, a colony where fortunate artists are gifted with the time and space to work–or not–in whatever way they deem best. There is no pressure to do anything at all, just a nurturing environment of total support and acceptance. 

We all need that, don’t we? And what’s important to know is that we can give it to ourselves

Last week the wordARTist taught a workshop called “Delving into My Artist’s Statement” to a group of painters, printmakers and photographers at the Taos Artists Organization. I know, from talking with many artist friends, that the task of writing the artist’s statement often raises fear, anger, resentment, confusion and just plain blockage in people who are accustomed to working in the purely visual realm. And so we took a few deep breaths together, and then we dove in.

First, I had them write a list: “10 Reasons Why I Don’t Have to Write an Artist’s Statement.” I think it’s very important to give yourself permission not to do something that is torturing you. The critical voices inside our heads can be cruel, especially the voices saying “SHOULD” and “MUST” and “YOU’RE BAD IF YOU DON’T.” Let’s introduce some tenderness, shall we?  Tenderness leads to self-love, and self-love is a key to unlocking the creative spirit.

We read the lists out loud, and of course common themes emerged: “I shouldn’t have to explain my art,” “I don’t know what to say,” “I don’t want to tell people how to look at my art,” “I hate to write.” The room was filled with tension as the artists spewed their negative feelings onto the page and into the room. Good. The wordARTist believes in getting all that internal poison OUT, so that it stops killing you at the root.

Then I talked to them about how an artist’s statement helps me, as a viewer, understand what I am looking at and deepens my experience of an artist’s work. A well-crafted artist’s statement opens a doorway, leads an audience into a unique world. In writing their artists’ statements from a place of loving kindness, they would be holding out a helping hand to all who might potentially benefit from seeing their work.

Next I asked them to write another list: “10 Reasons Why I It Would Be an Act of Self-Love to Write My Artist’s Statement.”  

Shoulders that had been scrunched up visibly relaxed. Arms that had been clutched in front of chests unfolded and opened. The air became warm. Gentleness settled in. As they shared their second lists, their voices rang out strong: “I need an artist’s statement to approach galleries with.” “It feels good to tell people what I’m trying to accomplish with my art.” “I feel empowered taking charge of my career.”  

They spent the next two hours excitedly writing out answers to questions I posed about their work, brainstorming the raw materials that would become their artists’ statements. The floodgates were open; it was hard to get them to stop. And amazing, moving, to see the joy that had replaced the tension in their faces. 

That sign in front of my Wurlitzer casita had a similar effect on me; it never failed to reassure me. Sometimes these days, when I’m hearing the cruel, judgmental voices in my own head, I remind myself of those heartening words. And recently I got to meet the woman who had put it up, a writer named Susan Varon. Susan is an ordained interfaith minister; she marries people. She bills herself as an “Officiant of Love.” She talks about a wedding as “a divine collaboration” with “the power of Love in the universe.”  

Isn’t that what artmaking is? The next time you’re blocked or scared or just struck dumb, pose yourself these questions: What can I do to be an Officiant of Love to myself? How can I bring a little tenderness to bear, in this situation, right now?

(Photo: There Is Still Time to Do Good Things, copyright 2008 Diana Rico.)

Advertisements

here’s mudpie in your eye

"Maiden Rainbow," etched zinc plate by Karin (copyright Karin about 8 years ago)

This just in: an etched zinc plate by an artist named Karin, who made reference to her art and MUDPIES in her comment to my Post #1 below.

The poem she used on the print is William Blake’s “Song First by a Shepherd”:

Welcome, stranger, to this place,

Where Joy doth sit on every bough;

Paleness flies from every face;

We reap not what we do not sow.

Innocence doth like a rose

Bloom on every maiden’s cheek;

Honour twines around her brows

The jewel Health adorns her neck.

Karin’s not alone in quoting from Blake in her art. A Belgian composer named Lucien Posman has written a whole load of music set to Blake’s works. And here you can listen to a beautiful, haunting rendition of “Song First by a Shepherd” by The Wraiths, a duo based in Bristol, UK. I’ve taken a liking to this Wraiths version. I have a feeling Blake would have appreciated it.

Welcome, stranger, to this place. Enjoy.